Monday, December 21, 2009

January: The Producer of PONTYPOOL Presents a Special APFS Screening followed by a discussion.

Breaking News! Just Announced!


PONTYPOOL Producer Jeffrey Coghlan of Toronto will make a special appearance IN PERSON at the Annapolis Pretentious Film Society screening on January 11th to participate in a post screening Q&A/Discussion of his film and it's production.  (Pictured: Jeffrey Coghlan (Left) with PONTYPOOL Director Bruce McDonald on set.)

This is a great honor for the Annapolis Pretentious Film Society and we, along with our sponsors are proud to host Mr. Coghlan for this screening.

Since this screening was announced, PONTYPOOL has been new award nominations and critical praise which includes:
  • 2009 Best Picture Nominee (Canada) - Toronto Film Critics Association
  • 2009 Best Actor Nominee (Canada) - Stephen McHattie - Vancouver Film Critics Association
  • 2009 Best Supporting Actress Nominee (Canada) - Lisa Houle - Vancouver Film Critics Association
  • Over 20 "Top 10" of 2009 Lists.
Mr. Coghlan will discuss all aspects of PONTYPOOL's independent production including use of the Red One Digital Cinematography Camera and take questions from the audience.
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In these days of office football pools, high stakes poker on ESPN, and Wall Street investment hi-jinks called Ponzi scams, it's easy to think that the Canadian thriller “Pontypool” is related somehow to these current events. In my opinion, “Ponty,” sounds like the word “Ponzi” and the word “pool” makes me think of gambling. A “Ponzi” scheme is sort of like gambling, and since Ponty reminds me of Ponzi and I associate “pool” with gambling, when I first heard the title "Pontypool," I thought the movie was about some type of elaborate game with sinister overtones.

So without knowing anything about the movie, I watched it because it was highly recommended by some people I respect. As it turned out, it had nothing to do with swindles or gambling or schemes.

Nevertheless, I was on to something. Pontypool, which has been called by some a zombie movie (I disagree), or a horror movie (not really), is more of a rhetorical thriller. It’s a movie about words. Words themselves become what Pontypool novelist and screenwriter, Tony Burgess, refers to as “predatory metaphors” that never die, but just keep coming at you and appearing at every opportunity trying to possess you, infect you, and infiltrate your subconscious.

Although the word associations I made in trying to figure out Pontypool were wrong, that very process of word association was exactly what the movie was about.

Now this may make Pontypool sound like some highfalutin talkfest which meanders toward some esoteric point beyond the horizon of entertainment.Quite the contrary – Pontypool is a white-knuckle funhouse ride taken through the wild white north of the Canadian hinterlands. Pontypool is at times poignant, scary, hilarious, entertaining, and yes… thought-provoking.

Fiercely independent Canadian director, Bruce McDonald (Hardcore Logo, The Tracey Fragments) delivers something that you rarely witness at the theater – a unique film. Pontypool has been nominated by the Toronto Film Critics Association for Best Canadian Feature of 2009 and is critically acclaimed internationally. That's impressive for a movie that was shot independently in 15 days, and hasn't been widely distributed.

Those who know me will tell you that I hate telling people too much about a movie before they see it. There are so many spoilers out there on the web about Pontypool, and it sort of sickens me. So unless you need to know everything about a film before you see it, I want to caution you about reading too much regarding this masterpiece. You have a chance of seeing something very special without having it all revealed to you in some carelessly written movie review.

Trust me on this one, Pontypool is best sampled with a clean palette. This is a movie that you will not only enjoy, but that will become a cinematic reference point for many movies you will see in the future.

The trailer below should be enough to peak your interest...


Based on the book, "Pontypool Changes Everything" by Tony Burgess
Screenplay by Tony Burgess
Directed by Bruce McDonald (The Tracey Fragments, Hard Core Logo)
Starring Stephen McHattie (300, Watchmen, Shoot Em Up, Fringe)
Produced by Jeffrey Coghlan

WHERE: RAMS HEAD ON STAGE
WHEN: January 11, 2010
TIME: Doors Open 6PM, Program begins at 7PM
Tickets: $8 in Advance, $10 at the door. Click Here for Tickets.



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Tuesday, December 15, 2009

Mrs. French's cat is missing...


Mrs. French's cat is missing.

The signs are posted all over town.

"Have you seen Honey?"

We've all seen the posters, but nobody has seen Honey the cat.


Nobody -- until last Thursday morning, when Miss Colette Piscine swerved her car to miss Honey the cat as she drove across a bridge.

Well this bridge, now slightly damaged, is a bit of a local treasure and even has its own fancy name; Pont de Flaque.

Now Collette, that sounds like Culotte. That's Panty in French. And Piscine means Pool. Panty pool. Flaque also means pool in French, so Collete Piscine, in French Panty Pool, drives over the Pont de Flaque, the Pont de Pool if you will, to avoid hitting Mrs. French's cat that has been missing in Pontypool. Pontypool. Pontypool. Panty pool. Pont de Flaque.

What does it mean?

Well, Norman Mailer, he had an interesting theory that he used to explain the strange coincidences in the aftermath of the JFK assasination. In the wake of huge events, after them and before them, physical details they spasm for a moment; they sort of unlock and when they come back into focus they suddenly coincide in a weird way. Street names and birthdates and middle names, all kind of superfluous things appear related to each other. It's a ripple effect. So, what does it mean? Well... it means something's going to happen.

Something big.

But then, something's always about to happen...

On January 11, the Annapolis Pretentious Film Society is proud to announce the screening of a most intense and imaginitive independent thriller...



Based on the book, "Pontypool Changes Everything" by Tony Burgess
Screenplay by Tony Burgess
Directed by Bruce McDonald (The Tracey Fragments, Hard Core Logo)
Starring Stephen McHattie (300, Watchmen, Shoot Em Up, Fringe)
Produced by Jeffrey Coghlan

WHERE: RAMS HEAD ON STAGE
WHEN: January 11, 2010
TIME: TBD
Just Announced -- MORE DETAILS TO FOLLOW.







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Saturday, December 12, 2009

APFS "Afterglow" -- INK's Annapolis Screening Wrap-Up


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"INK" Producer/Production Designer/Sound Designer, Kiowa Winans
relaxes on State Circle next to a Colonial era cannon on the grounds of
the Maryland State House. (Photo by "INK" Writer/Director/Score Composer, Jamin Winans)


The INK screening at the Rams Head On Stage on November 30th was a smash success with 112 in attendance on a rainy first Monday after Thanksgiving. I believe it was a success for a number of reasons.


First of all, INK is a tremendously affecting motion picture made by a group of fiercely independent artists from Denver, Colorado. To witness the audience actually leaning into the glow of the screen as the movie un-spooled was incredibly gratifying.

Secondly, INK filmmakers, Jamin and Kiowa Winans, generously made room in their schedules to travel from Denver to Annapolis to introduce the movie and participate in a question-and-answer session with the audience afterwards.

And last but not least, all of Annapolis put their best foot forward. In addition to the incredible crowd that came out to see the movie, our local sponsors truly embraced the arts and the artists, and made the filmmakers feel comfortable and relaxed throughout the weekend.

The Rams Head On Stage was an outstanding venue with a peerless staff and professional, attentive management.


Stella Artois provided support which allowed our filmmakers to relax at the Loews Annapolis hotel, only steps away from the Rams Head and Historic Downtown Annapolis.

Local restaurants and cafes rallied to extend the superior hospitality that makes Annapolis a favorite destination for people all over the world. Lewnes’ Steakhouse provided the travel sponsorship that covered the filmmakers airfare, and Lewnes’, Tsunami, Lemongrass, and 49 West all pitched in to provide excellent meals for the filmmakers over a busy holiday weekend.

Our advertisers, like Glow Salon, Cheep Cheep Chicken, Third Eye Comics, PRS Guitars, and Marc Quigley Photography & Design, provided the support for all the many costs attached to launching and promoting an event like this. Marc even took some of the photos included here.


That brings me back to the audience. People from Annapolis, Virginia, DC, Delaware and North Carolina (Yep! North Carolina) braved not only the weather, but the unknown. We’re honored that we were able to reward their love of movies and their trust in our venue with an incredible film experience. Many people marveled at the theater quality of our sound and image, including the filmmakers themselves, which is a source of great pride for us.

I was especially happy to see both familiar faces from our previous screenings and strangers wondering what our “society” was all about. Not only did we have members of the Annapolis Movie Meet-up show, but Annapolitans who heard about the screening through Rams Head, Twitter, Facebook, and our flyers and newsletters.


St. John’s students showed up in force, and we were ecstatic to see them engage in the post screening Q&A where they asked Jamin and Kiowa thoughtful and challenging questions in a polite Socratic manner, and advancing the session into a deeper cinematic discussion that engrossed the whole audience. It was perhaps the most interesting filmmaker Q&A that I have ever attended.

Overall, the INK screening in Annapolis is an example of how communities can come together to support the arts. Our sponsors and advertisers demonstrated an understanding that art is not just a recreational activity or eye candy, but a vital segment of our city's culture at large. Local patrons also recognized the event as a unique opportunity and came out after work and school on a rainy night to meet the filmmakers. Altogether, the enthusiasm generated in Annapolis spread like a wave and attracted people from outside of our area. People who had never traveled to Annapolis before left our city feeling happy. That is important and something we can all be proud of.


The filmmakers, Jamin and Kiowa, who I not only respect, but have come to love, took away as much from this screening as the audience did. They took a moment to write about their experience before the screening -- You can read about it HERE.

We were sorry to see them go. But we hope they’ll be back again soon with their next movie.

Annapolis will be waiting for them.

Until then, we will continue to search for new and exciting independent cinema. We are in the midst of planning our January screening. Please subscribe to the APFS newsletter and watch and this blog for the announcement. Above all, we need your support – not only by attending our screenings, but by sharing your experience with your friends. This blog can also be followed, and followers can add comments.

I can assure you, our next event will be exceptional as well.

For those of you interested in purchasing an INK DVD, Blu-Ray, T-Shirt, or poster, (or if you just want to say ‘Hi’) please visit Jamin and Kiowa’s INK website at: http://www.doubleedgefilms.com/
Other Info:
INK Soundtrack: iTunes and Amazon.com
Twitter: @DoubleEdgeFilms
YouTube: http://www.youtube.com/doubleedgefilms
Facebook Fan Page: Search: "Ink"
Blog: http://www.DoubleEdgeFilms.blogspot.com



You can also follow the Annapolis Pretentious Film Society on Twitter @PretentiousFilm



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Thank you for your interest in Independent Film and thank you for your involvement.

Kindest Regards,
Pericles Lewnes
Curator - The Annapolis Pretentious Film Society.

The Annapolis Pretentious Film Society is
presented by Pocket Change Pictures LLC
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